Strawberry is on the verge of turning 18, and she’s both wildly naive and remarkably self-possessed. His connection with Strawberry (Suzanna Son), the cashier at the doughnut shop, seems powered half by horniness and half by a creepy business sense-Mikey begins to operate as a “suitcase pimp,” proposing to mold her as a new porn talent that might help him launch himself back to stardom in L.A. Read: The aughts seem both cooler and sadder in retrospect Watching him scramble back to his feet is undeniably thrilling, even though Mikey’s chronic nervous energy suggests he knows that a ton of bricks could fall on him at any second. That long gap since he was last relevant means Rex has exactly the right desperate, sweaty edge to portray Mikey, a man with no money in his pockets and few appreciable skills (except for those one might employ on a porn set). He’s a product of the early 2000s, maybe best remembered for his role in the Scary Movie franchise or for his modeling gigs. Rex, a former MTV VJ, rapper (he went by the moniker Dirt Nasty), comedian, and actor, is an inspired casting choice. Any audience member likely knows that Mikey is bad news, as do all the people in his life, but he’s still mesmerizing as he fires up his motormouth and lets another self-aggrandizing monologue loose. Red Rocket is set in the months leading up to the 2016 election-occasional snippets overheard on TV news discuss Donald Trump’s presidential campaign-and Baker clearly wants the viewer to draw a connection between the outsize personalities of the former president and his witless but street-smart protagonist. Despite obvious enmity from Lexi and her mother (Brenda Deiss), Mikey somehow talks them into letting him crash, and from there he gets busy with a few foolish schemes-dealing drugs, hooking up with old high-school friends, and trying to worm his way into the affections of a pretty 17-year-old he meets at a local doughnut shop. Mikey is a former porn star given to bragging about his many accolades in the industry, but he has fallen on hard-enough times to have to return to his birthplace of Texas City, Texas, and knock on the door of his estranged wife, Lexi (Bree Elrod). Read: The Florida Project is one of 2017’s best films Red Rocket is far more sour than sweet, but that’s part of the point Mikey is a reprehensible fellow, but he’s clawed his way through life by sheer force of will, and as such, the camera simply can’t look away. Both of those films were empathetic works about people enduring incredibly challenging circumstances-Baker, who often casts first-time actors in his work, is a master of displaying unvarnished truth on-screen. Baker knows, though, that for all its non-subtlety, “Bye Bye Bye” is still as catchy as it was the day of its release, and he uses it to suggest the same of Mikey (played by Simon Rex): He’s his own kind of relic, rolling back into his hometown after a failed career in Los Angeles, but he’s still got a glint of charm to him.īaker has always told small-scale stories set on the margins of America-2015’s Tangerinewas a bittersweet Christmas tale about trans sex workers, and 2017’s The Florida Project was about “hidden homeless” families living in a motel. The song is a piece of mainstream pop from yesteryear (it’s a shiver-inducing 21 years old), and its usage in this arty indie film seems laced with irony. Mikey Saber, the preening, confident chump who’s the ostensible hero of Sean Baker’s new film, Red Rocket, enters on-screen to a loud and familiar tune: “Bye Bye Bye,” by *NSync.
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